Your prospects shouldn't have to guess at what you do. It should be obvious everywhere they meet you, told the same way again and again so it sticks. Without the right hook, no one reads the full book.
Founder-led and moving fast. You've got a point of view, and it isn't landing on the page.
A marketing team, but no one owns this. Content is going out, and no one senior owns the story.
Either way, if content isn't working, this is where to start.
Anyone can build. Tools are cheap, talent is everywhere, and that idea you had a few days ago can become a reality in minutes.
The same tools that made building easy, have made content easy too. The internet is filling with AI slop: content that is technically fine, but generic and monotone. The human judgment to find the true story, and tell it like a person, is rarer than it's ever been.
Narrative isn't a coat of paint you add once you've scaled. It's the thing that makes growth clear to customers, hires, investors. Get it wrong and there's a cost: prospects who ghost you, discovery calls that never move to the next stage, pitches that don't land at events.
Selling is hard, and selling without a story? It's impossible. That's where we start.
Three things tend to break, sometimes all at once, sometimes one at a time. I work on them in the order that compounds: story first, cadence next, assets last.
You spend too much time explaining what you do.
Where to start
Get the story right.
You start strong, and then go quiet for weeks.
What comes next
Show up consistently.
You keep making more, and none of it lasts.
What lasts
Build assets that compound.
Three shapes, depending on what your team already has. Most people start with one and adjust as the work settles.
You execute. I direct.
I write. You publish.
Whatever the mix, one story.
Every one of them starts with the story. What changes is who holds the pen.
Plenty of people can write well. What I'm offering is different: someone who's been inside the companies that struggle with this, and knows why they do.
Across enterprise software, publishing and automotive orgs, I've been the person who owned the story. I've watched a homepage rewrite die in review, and a messaging doc lose out to a launch. The work moves when the right two or three people are aligned. Finding those people is the first thing I do.
In most companies, narrative becomes a massive project dependent on too many stakeholders. It gets halfway, something else takes priority, and you end up redoing it two years later. When you hire me, this is the only thing I'm there for. We get to the end, and then we keep it a priority.
Editing, homepage copy, messaging that speaks to your ICP, using AI so it doesn't flatten your voice: I built those skills over years of doing nothing else. Also, fun fact, I've been writing fiction since I was 12. I'm a self-published author with more drafts in the works. That instinct for story is why I'm good at this.
“When Sanjana joined Pando, no one owned the story. We had a genuinely powerful product and no consistent way of talking about it.
More than any single project, Sanjana became the guardian of our brand story. Across demand generation, social, and the website, she made sure every piece told the same story, again and again, consistently.
If you want someone who can find your story and scale it, it's Sanjana.”
“Sanjana joined SiftHub as employee #11, before we even had a landing page, and helped build our brand from the ground up. Over nearly three years, she shaped our voice, vocabulary, visual identity, and the way we describe what we do.
She is resourceful, unafraid to say ‘I don't know,’ and willing to roll up her sleeves to figure things out. Sanjana would be a valuable partner for any early-stage company building its brand and finding its voice.”
Three things I'd want you to be able to point at. If none of them have moved, the work hasn't landed.
People understand what you sell before they leave the website.
Your leaders' posts start threads with the people who actually buy.
When you can show customers you know their pain and speak their language, the call gets easier to book.
Because sometimes the writing isn't the problem. Your team can put words on a page. What's missing is someone who decides what the story is, says no to the version that drifts, and keeps everyone telling it the same way. That's a senior job, and it's a few hours a month. You don't need a hire for it. You need someone to own it.
You could, and the words would be fine. What you'd be missing is 15 years of learning what works. I know which LinkedIn posts start threads and which get scrolled past, and why. I know that a homepage headline gets one read before a buyer decides whether to keep going. I've written the customer story that a sales team never used, and figured out what it was missing. A junior writer will learn all of that too, eventually, on your budget and your timeline. Hiring me means you skip the years it takes to learn it.
Only if it's owned collectively, and that's how I work. A story that lives with one person, me included, doesn't scale. So the messaging gets written down where everyone can find it, the words you use and the ones you don't are agreed rather than assumed, and the people who write for you, sales, marketing, leadership, work from the same page. My job over time is to help you keep that page current as the company changes, and to keep everyone telling the same story as it does.
Yes. Telling a story is a skill whatever the product. Most of my recent work is B2B SaaS, but I've also worked in publishing, automotive and fintech, so I pick up an industry's language quickly and get to work.
Yes. I work across time zones. I've written for companies selling into all three markets and know how the buyers differ, down to the spelling.
Often, but carefully. AI is good at drafts, structure and volume. It's bad at knowing what your story is and at sounding like a person. So the judgement stays with me: what the story is, what's true, what sounds like you. The tools do the parts that don't need a human, and I build them to your voice so the output doesn't drift into slop.
Against your scope, not a rate card. I'll quote once I understand what you're trying to move.
Three months to start: long enough to do real work, short enough to find out whether we're a fit. After that it's month to month, with a month's notice either side. You won't be asked to commit to work you haven't seen the shape of.